The popular matchmaking sessions are back! Whether you want to pitch your music, gain insights, ask questions about future projects, discuss the future of the industry, or simply close a solid deal – we are proud to bring you together. Please note, you’ll have a limited time during these conversations, so our advice is to first see if there’s a spark!
How does it work?
If you’ve purchased a ticket for BMIM Special, you can register for these matchmaking sessions. Check out the names below and share your reasons for wanting to meet with certain people. Please note, this motivation will be shared with the participants. These matchmaking sessions are designed to make the initial meeting easier for both parties. Approach the conversation with an open mind and see if there’s a connection – usually, the rest will follow naturally!
Experts
Veronique Aicha
Film maker, SPUI25 & Director, QISSA Explore, NLVeronique Aicha (1986) is an upcoming director. She is currently taking part in QISSA Explore. In her first film, Cabaret Card, a hybrid documentary currently in development, she explores the intersection of jazz and justice as a space where improvisation, social critique, and art converge. Between the 1940s and 1960s, a Cabaret Card was required to perform in U.S. clubs. This permit became a tool to silence jazz musicians and political activists. The film Cabaret Card weaves together jazz, urban life, and artistic expression to make justice visible and tangible.
Laura Bell
Music supervisor, Bell Music Supervision, NLTrained at the conservatory and with a seasoned background in the music industry — having held roles such as label manager, sync director, and managing director in production music — Bell is now proud to advocate for the craft of music supervision. Over the past years, she has helped shape the soundtracks of numerous Dutch and international films, documentaries, and series.
Her credits include Occupied City by Steve McQueen, Stromboli and Happy Ending on Netflix, Amazon’s Modern Love Amsterdam, the Cannes-nominated drama series Childhood Dreams, Piece of My Heart by Dana Nechushtan, Goodbye Stranger by Aaron Rookus, and Silver Haze by Sacha Polak.
Pirke Bergsma
Owner, Pirke Productions, NLPirke Bergsma is the founder of Pirke Productions BV, an Amsterdam-based full-service creative boutique production company specializing in high-end video and photo content. With over 20 years of experience, he has worked with national and international brands such as Samsung, Nike, Adidas, Coca-Cola, Nissan, Grolsch, and Eneco, as well as leading advertising agencies. In addition, he works as a creative agency producer and music producer.
Jeroen Icks
Creative, Joe Public, NLAlready during his Advertising studies at the Willem de Kooning Academy in Rotterdam, Jeroen joined the advertising world in 2023. As a creative, he finds himself, with his sharp sense of humor, on the fine line between reality and absurdity. Thus, in 2024, he won several awards with KLUUN’s Puber Board. An ode to—and reflection on—his past as a rebellious teenager.
As a musician, he knows how significant the role of rhythm and sound is in advertising. After all, sound registers faster than color. That not only makes his work visible in the streets but also audible on the radio. In 2025, he thereby is nominated for an ADCN Award for his contributions to OHRA’s Musical Interventions.
Susan Jacobs
Music Supervisor, SueperVision LLC, USA trailblazer in the field of Music Supervision, Susan Jacobs made history in 2017 by winning the first ever Primetime Emmy Award for Outstanding Music Supervision for her exceptional work on the HBO drama series Big Little Lies. With an illustrious career spanning over two decades, Sue has redefined the art of music supervision. Her impressive credits include films like: Nyad, No Hard Feelings, Diving Bell and The Butterfly, Silver Linings Playbook, American Hustle, Cruella, I,Tonya, King Richard, Split, and Promising Young Woman. Sue’s work in television is equally as impressive with series like True Detective: Night Country, The Jinx: Life And Deaths of Robert Durst, and The Crowded Room.
Jolande Junte
Producer, Phanta Animation, NLJolande Junte (1964) graduated from the Academy of Fine Arts in Kampen (NL) in 1992. In 2003, she joined the studio Animation World as an art director and project manager. From 2006 onwards, she worked as a general manager at animation studio Motek Entertainment. Starting in 2014, she held the same position at the renowned production house BosBros. Since January 2019, Jolande has been bringing her extensive animation experience to Phanta Animation. Under this banner, she produced the animated series Pim&Pom at the Museum and the successful Tummy Tom films. Currently, the series Pim&Pom on Museum Tour is in production, and the family animated film Miss Moxy is set for release in 2026.
Jon Karthaus
Director / Producer, Johnnywood Productions, NLJon Karthaus is a multidisciplinary Dutch director, screenwriter, producer and songwriter, known for his dynamic contributions to Dutch film and television. He first rose to fame as an actor in the popular youth series Zoop, before moving behind the camera as a director, writer and producer.
As founder of Johnnywood Productions, Karthaus has created and directed numerous successful films and series, including Bon Bini Holland 2, winner of the Audience Golden Calf at the Netherlands Film Festival, Costa!! and its spin-off series, Homies, The Dadchelor and Fijn Weekend. His recent reboot of the iconic Dutch IP Kees Flodder became a #1 hit series on Videoland.
Alongside his work in film and television, Karthaus is an accomplished singer-songwriter and topliner, collaborating with prominent artists and producers. Across film, television and music, he brings a distinctive combination of storytelling, humor and creativity.
Julie van der Meiden
Creative, Born05 | part of ACE, NLAbout thirty years ago, bert Heerink had a downright summer hit. The song was used – as was common – as the soundtrack for an iconic Heineken commercial. That’s how it reached the ear of my parents, who were at that moment looking for a name – mine. That’s how I got my name and why my birth card was adorned with a red Heineken star. That’s the power of music: it makes a brand, creates culture and sometimes even can inspire a name. At Born05, we build brands, create campaigns and online content. From setting the mood in a TVC or ear-catching brand assets; music is one of the opportunities to stand out.
Alicia Ramesar
Upcoming screenwriter, QISSA Lab 2025, NLAlicia Ramesar (1985), an all-round creative who, after 10+ years as a graphic designer, took her first real steps toward the big screen as a screenwriter. With a killer idea for a horror story, she was selected for the Qissa Lab group of 2025, where she’s currently working toward shaping it into a well-structured story and pitch – whilst getting to know the industry. Decades of watching, binging, and obsessing over brilliant film and filmmakers led to years of daydreaming and nonstop yapping about the movies she wished existed. As a result, her brain became somewhat of a story generator – wired and ready to get some stories out there.
Ayisha Siddiqi
Actor, writer, director, producer, NLAyisha Siddiqi is a multi-award winning actress and an emerging screenwriter and director. After graduating from the Acting Academy of Maastricht in 2018 – where she won the Best Thesis and Lecture Performance awards – she quickly landed lead roles with Het Zuidelijk Toneel and Het Nationale Theater. Her screen performances have earned widespread acclaim. She won Best Actress for Koud (2015) and received international awards for Plons (2022), Tandem (2023) and Honeycomb (2024). Tandem also screened at the Cannes Short Film Corner. Driven by a desire for more diverse stories, Ayisha made her directorial debut with 1 April (2025). She has also participated in the Pupkin Film Masterclass 2023.
Charlotte Stricker
Music Supervisor, Bell Music Supervision, NLCharlotte has worked throughout different aspects of the music industry for the last 15 years, with a detour through book publishing. With a background in rights management and creative sync & licensing, she has been responsible for the exploitation of commercial and production music catalogues through film, series, advertising, games and other moving media. In 2024 she joined the Bell Music Supervision team as music supervisor working exclusively on films and series. She’s worked on feature films like Hardcore Never Dies, Joe Speedboot, Treat Her Like A Lady, Bad Boa’s, Boomers, and Netflix series Roosters S1, S2 & S3 and Football Parents S1 & S2.
Froukje Tan
Writer / Director, NLFroukje Tan is a Dutch filmmaker and storyteller. Her work includes documentaries, short films (including animation), television dramas, and three feature films: Links (2008), Swchwrm: My Adventures (2012), and Kung Fu Lion (2023). Her films center on the search for identity, imagination, and human connection. Alongside her own projects, Froukje coaches writers and directors in developing their stories, and supports entrepreneurs and creative professionals in their personal narrative. She is currently preparing her fourth feature film, W A L K W A Y, a philosophical thriller about identity, control, and the fear of losing oneself.
Jacob Wiltshire
Creative Director, Parasol Music, DEJacob Wiltshire is a Berlin-based music industry professional and Creative Director at Parasol Music, working across A&R, sync and music direction. He works closely with artists and composers, focusing on catalogue curation, bespoke composition and licensing, with a particular focus on entertainment marketing and trailers.
He has worked across campaigns for major studios and platforms including Netflix, Disney, Warner Bros., Universal, Sony, Amazon, Hulu and Apple, as well as advertising and video games.
Application form
The application for Matchmaking: One on One Sessions at BMIM Special 2025 is closed. Deadline was May 20, 23:59h.