Meet the Music Supervisors & Sync Reps (One-on-One Sessions)

Isaac is an award-winning Music Supervisor specialising in trailers for film and TV. He was named AIM’s Music Supervisor of the Year early in his career in 2020 and has since garnered widespread recognition, with multiple Music & Sound Award wins, Clio and Golden Trailer Award wins, and two Guild of Music Supervisors Award nominations.

His work spans major titles for Netflix, Disney+, Universal Pictures, Sky Cinema and more, with standout campaigns including four seasons of The Crown, three seasons of The Witcher, and teaser trailer work for Guy Ritchie’s The Gentlemen. He currently leads the Film & TV division at Feel for Music, a boutique music supervision company.

Career highlights include attending the world premiere of The Crown’s finale with Netflix, after working on four seasons of their campaigns, and having his trailer cover of “Bittersweet Symphony” (with Fort Nowhere) featured on Spotify’s Best TV & Movie Tracks of 2022, alongside the likes of ‘Running up that Hill’ in Stranger Things – a playlist typically reserved for in-show placements, making it a rare and celebrated inclusion.

Isaac also leads the D&I and Mentorships Committee on the board of the GMS UK & Europe.

Emily Appleton Holley is a London-based music supervisor and composer agent. In 2020 she joined Erased Tapes as Head of Publishing and Composition where she oversees sync for the label and publishing catalogues, and represents the artists for original scoring work.

She’s worked across film, television, advertising and video games, working on films including ‘Paddington 2’, ‘Darkest Hour’, ‘The Children Act’, ‘Murder On the Orient Express’, ‘Denial’ and ‘Carol’. Most recently she supervised Alex Burunova’s ‘Satisfaction’ which premiered at SXSW 2025.

Emily received a Masters in Composition for Screen from the Royal College of Music in 2010 and previously worked as a composer on scores for projects including the BBC’s ‘Natural World’ series.

Katie Colley is a Film/TV Music executive based in Amsterdam working at Netflix, focusing on Music Creative Production and Soundtracks across Europe, Middle East, & Africa. She has held positions at Paramount Pictures in Los Angeles and Republic Records in New York, working on film/series music creative, supervision, and soundtrack A&R.

Thore Garberg is a Danish-Norwegian Music Supervisor based in Sweden. He has been working as a full-time music supervisor since 2018. In 2021 he founded Orange Blue Supervision, and has expanded his work into film, tv and advertising in Scandinavia and other European countries.

His advertising work includes global campaigns for brands such as Ikea, Volvo, Adidas & Tuborg (the latter won him the TrueAward in Denmark for best use of licensed music.)

He has worked on both fiction features and documentaries across Scandinavia. Notable mentions are Handling the Undead which premiered at the Sundance Film Festival 2024 as well as the Norwegian show Kids in Crime.

Mark Garfield is a drummer, producer, and songwriter, and the co-founder of UK-based music publisher and sync agency Pop-Up Music.

With a background performing, writing, and recording alongside artists including Glen Matlock (Sex Pistols), Dr. Fink (Prince), Eddie Kramer (Jimi Hendrix), and Clem Burke (Blondie), he brings deep artist-led experience to music licensing. His sync work features in major productions such as The Night Manager 2, Rivals, Once Upon a Time in Hollywood, Stranger Things, and Fallout.

A regular panellist at international conferences, Mark champions curation, instinct, and human connection in sync.

Terese has over a decade of experience in music supervision and sync, working in Los Angeles, Berlin, and London. Her expertise ranges from discovering, pitching and signing talent to crafting bespoke music for various visual mediums like film, television, brand advertising, and entertainment marketing. Always with a focus on great music and visual storytelling, and deeply passionate about the marriage between the two.

Growing up in Brazil, music and films are intrinsic to Jade’s life. It’s how she grew up, learnt English and developed a lot of her personality. It’s how she met her best friends and what she does for fun, so it was only natural to also make a career out of it.

As a music supervisor she gets inspired through collaboration and challenges, working alongside colleagues, as well as directors, artists and creatives, having their input and beautiful exchange of ideas.

She is also passionate about finding amazing new talents and giving them more opportunities and visibility.

Charlotte has worked throughout different aspects of the music industry, with a detour through book publishing, always keeping interest in music in moving media and music rights. Working as rights manager at CNR Music & Overamstel Uitgevers she later moved on to her last role as Head of Sync at CTM Publishing, where she was responsible for the exploitation of their commercial and production music catalogue, through advertising campaigns, games, films and series. In the beginning of 2024, she joined the Bell Music Supervision team as music supervisor for films and (tv-)series, where she has worked on different projects like the films Onze Jongens 3, Bad Boa’s, Joe Speedboot and Netflix series Haantjes and Voetbalouders.

Tom Tukker is a producer, composer and music director from the Netherlands, specialized in music for media. He has over 10 years of experience as a music professional. He has provided music for commercials for, among others, UEFA, Nike, Adidas and Toyota, and developed the complete sonic branding for Odido, Jumbo and Picnic. Tom believes that music is the most intuitive art to take in and therefore the most powerful way to touch people’s heart.